A Star Is Born
The songs the two performed together captured, live on stage, the very process of their voices meeting and diverging.
Overview 🔭💭
Some coordinates adapted from GeoNames (CC BY 4.0) · Pleiades (CC BY 3.0)
The people behind it ⏳🌊
- ComposerLady Gaga
She had already built worldwide fame as a pop musician but had never led a film before, and wrote most of Ally's songs herself.
- DirectorBradley Cooper
He both wrote and starred in the film, and trained for a long period in singing and guitar for the role.
- ComposerLukas Nelson
He appeared with his own band, Promise of the Real, as the film's onscreen band, and helped with Jackson's songwriting.
- ComposerMark Ronson
He served as producer and co-wrote and arranged several songs.
- CastSam Elliott
He played Bobby, Jackson's brother.
I. The fourth version, a new voice
(Lineage) This film is the latest version of A Star Is Born, which has been made four times since 1937. Each version has been clothed in the popular music genre of its era, and this one places rock, country, and pop side by side. (Director) Bradley Cooper wrote, starred in, and directed the film. It is the first feature he has directed after a long career as an actor. (Gaga) Lady Gaga was already a global pop star, but this was her first leading film role. She co-wrote most of the songs sung by her character, Ally. (Nelson) Lukas Nelson and his band Promise of the Real were cast as Jackson Maine's band and joined the songwriting. The band has actually worked as Neil Young's backing band. (On set) The three chose to have the actors sing live on set rather than record in a studio. This choice would go on to define the character of the film's music as a whole.
II. A voice at the drag bar
(Performance) The film opens with Jackson Maine performing before a huge crowd. A stage filled with his raw voice and a recurring guitar riff (a short, repeated melodic phrase) compresses the world he has lived in into a single scene. (Tinnitus) His ears ring with tinnitus. The fact that years on stage have slowly been damaging his hearing lies quietly beneath the glittering music. (Bar) After the show, slipping away from his band manager, he wanders into a drag bar and happens to hear someone sing. (Voice) The song performed on stage is a classic French chanson. Amid the elaborate makeup and lighting, one unadorned voice catches his eye. (Premonition) In that voice, Jackson seems to find something he himself has been slowly losing, and he cannot bring himself to leave.
The song that opens the film with Jackson's performance, powerfully establishing the world of rock he inhabits from the very first scene.
- The raw guitar riff (a short, repeated melodic phrase) in the opening immediately defines the rough world of the character Jackson.
- Cooper performed this song as live singing (recorded on location) in front of a real audience. The crowd's cheers were captured directly in the recording, creating a sense of immediacy.
- The low, pressed-down singing style is often cited as evidence of the vocal range the actor lowered through long training.
- The repeated chorus is built so the whole venue sings along, proving in sound just how beloved Jackson is on stage.
A classic French chanson that Ally sings on the drag bar stage, the song that opens the two characters' first meeting.
- The original is a chanson by Édith Piaf, and Ally takes the stage singing someone else's song rather than her own.
- The arrangement (the way instruments are laid out and combined), which starts without accompaniment and gradually adds instruments, mirrors how the attention of the audience—and Jackson—increasingly gathers on her.
- Choosing an unadorned vocal delivery amid elaborate makeup is what made this scene famous, and many viewers name it as the first moment they remember from the film.
- While the French lyrics are sung, the camera lingers on Jackson's face. It is the listener's reaction, more than the song itself, that drives the story.
III. A song completed together
(Parking lot) Leaving the club, the two walk side by side, talking. Ally offhandedly hums a phrase of melody for Jackson. (Gift) Jackson doesn't forget the melody; he sets it to words and music and brings it to his next show. (Invitation) As the song reaches its climax, he calls Ally, who is in the audience, up onto the stage. Caught off guard by the unplanned invitation, Ally hesitates for a moment before stepping up to the microphone. (Duet) This first performance the two share reveals exactly how two voices of such different textures can meet. (Another song) Around this time, another song Jackson sings on his own is about aging and the passage of time. Looking back, its lyrics quietly foreshadow the story to come. (Discovery) That night, Ally experiences for the first time what it feels like for a melody she wrote to be completed on stage by meeting another person's voice.
The melody hummed in the parking lot is completed here, becoming the first song the two sing together—and the song that has come to represent the film's music.
- The structure, which starts low and rises sharply in range toward the end, traces exactly how the two voices gradually merge into one.
- The short, intense bridge (the bridge-like passage connecting verses) melody has become the moment that has come to symbolize this song at awards shows.
- The awards it received, including the Academy Award for best original song, made it the name that represents this film's music.
- Using live singing (recording on location) instead of studio recording is cited as the key to this performance's vitality.
A song Jackson sings alone with just a guitar, quietly speaking of aging and time while foreshadowing what's to come.
- Sung by Jackson alone with just a guitar, this song speaks plainly of aging and the passage of time.
- The short recurring melodic fragment reappears later in the film in another character's voice, functioning like a leitmotif in which a single melody points beyond one character to the story as a whole.
- The passage that unfolds purely as humming, without lyrics, conveys emotions that words alone cannot fully express.
- This song was written alone by a country music songwriter, apart from the three main composers, occupying a somewhat different place within the soundtrack.
IV. Two diverging paths
(Rise) Ally's talent quickly becomes known, and a record label begins grooming her as a new star. (Transformation) Her stage costumes and hair color change, and synthesizers and flashy arrangements (the way instruments are laid out and combined) fill her songs in place of the guitar. Group choreography put together by a dance team is added as well. (Distance) Jackson watches the change and feels estranged from it. He cannot easily accept the process of the voice he loved being dressed in different clothes. (Ballad) Even so, the love song Ally sings alone does not lose the texture of a personal confession even within its commercial arrangement. (Cracks) Between the two of them, unspoken things slowly accumulate.
A ballad Ally sings as she settles into life as a pop star, one that does not lose its sincerity even within a commercial arrangement.
- The harmony that slowly builds over the piano accompaniment carries Ally's wish to hold on to the time she spent with Jackson.
- The moment the voice soars in the chorus follows the grammar of the pop ballad while still holding on to the character's sincerity.
- Even dressed in a commercial arrangement, the lyrics' mode of address still leans toward personal confession, aligning it with the earlier stage songs.
A stage song showcasing the new image the label has built for Ally, revealing the change Jackson finds most alienating.
- The synthesizer-driven arrangement and repeated hook (a short melody repeated to stick in the ear) directly display the new image the label has created for Ally.
- This performance, complete with stage costume and choreography, leads into the scene where Jackson feels most estranged.
- The overly lightweight lyrics and arrangement divided audiences at the time of release over whether they were intentional exaggeration or simply a misstep.
V. The night of the award
(Awards night) On the night Ally wins a major award, Jackson is there with her. (Reunion performance) Earlier that day, the two sing together again on one stage. Unlike before, their voices now carry a heaviness. (Turn) Even the same melody now sounds different than it did the first time they sang it together. The harmony is unchanged, but the emotion has already shifted. (Mistake) After the ceremony ends, Jackson's drunken body won't do what he wants. What happens that night stays with both of them for a long time. (Foreshadowing) After this scene, Jackson's story quickly begins to flow in a different direction.
Performed together again on the awards-show stage, this song brings back a melody heard earlier, now returning with a different emotion.
- Sung together by the two of them on the awards-show stage, this song brings back a fragment of an earlier melody, letting the audience hear a tune they already know with a different emotion.
- Near the end of the film it returns in a stripped-down arrangement with far sparer accompaniment, creating a closing mood that contrasts with the film's lavish opening.
- Starting low and building to an explosive burst in the second half, this structure is often cited as the melody that closes out the film's score as a whole.
VI. The last song
(silence) at the story's end, the music draws closer to silence than to noise. (final stage) Ally takes the stage one last time. Before she begins to sing, she speaks one person's name into the microphone. (solo) that song, which begins without accompaniment, recalls the moment when she first stood in front of an audience. (return) traces of the melody Jackson sang alone early in the film can be heard again within this final song. (afterglow) even after the song ends, a silence lingers in the theater for a while.
A lesser-known story
The film's soundtrack credits several composers beyond Lady Gaga, Bradley Cooper, and Lukas Nelson. 'Maybe It's Time,' which Jackson sings alone, was written solely by country songwriter Jason Isbell, and unlike the other songs, it had nothing to do with the film's central trio. Because the soundtrack is usually remembered only by its leading actors' names, this fact has remained little known outside the credits. Bradley Cooper has said in numerous interviews that he trained in singing and guitar for more than a year before filming began. He learned to speak and sing in a register lower than his own, a professional preparation undertaken to build the character's voice. A Star Is Born was not new this time around. It had already reached its fourth version, with Fredric March and Janet Gaynor starring in 1937, Judy Garland in 1954, and Barbra Streisand and Kris Kristofferson in 1976. Each version was dressed in whatever musical genre was popular at the time, and this one set rock, country, and pop side by side. Some of the film's concert scenes were shot on real music-festival stages in front of actual audiences. Having the actors sing as if performing live, capturing the crowd's real reactions, was a departure from the usual practice of overlaying studio recordings.
Terminology notes 📚🔎
Live singing (on-set recording)
(in film and musical scoring) instead of having actors lip-sync to a song pre-recorded in a studio, the actual singing performed on set is used as is. Think of the difference between miming along to a pre-recorded track at a school choir recital and actually singing out loud in the moment.
Bridge
(literal meaning) 'bridge' comes from the English word for a physical bridge. It got this name because it is the passage that connects one chorus to the next, or one verse to the next, in a song. (in film and musical scoring) this refers to the passage where a different melody and harmony appear briefly in the middle of a song that has been repeating the same melody. Like the leg of a relay race where the baton is handed off, it serves to carry the song's mood naturally into the next section.
Hook
(literal meaning) the English word 'hook' means a curved device for catching or holding. A song's short, memorable melody is called this because it 'hooks' the ear and holds it. (in film and musical scoring) this refers to a short melodic or rhythmic phrase that stays in memory after just one listen. If you recognize a song the instant a friend hums a few bars, those few bars are the hook. (elsewhere) the word is also used in fishing and boxing, but with a different meaning than the musical hook.
Arrangement
(literal meaning) written with 編 ('to weave, compile') and 曲 ('tune'), the word means reassembling a song that already exists. (in film and musical scoring) even the same melody can feel completely different depending on which instruments and rhythms are used to play it; arranging is the work of deciding that texture. It's similar to how the same recipe can taste different depending on the ingredients and cooking method used.
Leitmotif
(literal meaning) from the German Leitmotiv. Leit ('leading') combined with Motiv ('motif') gives a short musical fragment that leads the story. (in film and musical scoring) this is a technique of attaching a short melody to a particular character or emotion and having it recur throughout a story. It works on the same principle as a cartoon or video game playing the same sound effect every time a particular character appears.
Riff
(in film and musical scoring) this refers to a short, repeated melodic or chord progression played by instruments like guitar or bass. Think of the guitar sound that kicks in at the start of a rock song and keeps repeating throughout.