novareads.musicMusical

Rocketman

2019

A musical fantasy that traces the lonely child hidden behind the dazzling stage, through his own hit songs

At a glance 🔭💭

1. DepartureUK·US, released 2019Director Dexter FletcherHimself, involved in product…2. StructureNot chronologicalArranged in emotional orderFantasy staging3. CharactersReginald DwightLyricist Bernie TaupinA lifelong friendship4. ClimaxThe pool sceneAsking for help5. ThemesThe longing to be lovedMasks and personaSelf-discovery6. LegacyAcademy Award for Best Origi…Golden Globe for Best ActorSongs sung by himselfRocketman2019A fantasy autobiography woven from Elton John'…
Setting of the story 🧭🗺️
NUnited States of AmericaUnited KingdomPinnerLondonLos AngelesNew York

Some coordinates adapted from GeoNames (CC BY 4.0) · Pleiades (CC BY 3.0)

The people behind it ⏳🌊

  • ComposerElton John

    He was directly involved in producing this film, based on his own life.

  • LyricistBernie Taupin

    He has been his lyric-writing partner from the very beginning of his career to this day.

  • DirectorDexter Fletcher

    Rather than listing events, he portrayed the character's inner world through song.

  • ScreenplayLee Hall

    He wrote a screenplay that rearranged the songs by emotion rather than chronology.

  • LeadTaron Egerton

    He sang every song himself, without dubbing.

  • LeadJamie Bell

    He played Bernie Taupin, portraying a lifelong friendship.

Play all 8 on YouTube ↗

I. Autobiography as fantasy

(concept) Rocketman draws on Elton John's life but does not follow the conventions of the biopic. He had long been wary of his own story being polished into a tale of triumph, and he took part in the production himself, asking that the film become a fantasy made of song. (director) Dexter Fletcher took charge of the direction. Rather than laying out real events in sequence, he used each song as a door into the character's inner life. (casting) Taron Egerton played the lead and sang every song himself. Recorded in his own voice without dubbing, the songs were used less for polished reproduction than to reveal the character's emotional swings. (format) The songs were rearranged not in the order they were released but according to the emotional flow of the drama — the production's choice to follow the order of the heart rather than the order of real life.

II. A flashback that begins in rehab

(opening) The film begins with the protagonist, dressed in a dazzling stage costume, walking into a rehab meeting room. Without knowing why he is there, the audience follows his confession back into the past. (flashback) The flashback that begins in the rehab scene leads straight into his childhood home. Young Reginald Dwight is recognized for his talent at the piano but portrayed as a child left emotionally neglected. (family) Caught between a curt father and a mother absorbed in her own life, the boy longs for affection. The song in this scene is passed from one family member to the next, showing the distance between people who live under one roof yet cannot reach one another. (device) A recurring device throughout the film has the child actor and the adult actor walking together within the same frame — a visual way of showing that the wounds of the past follow him into the present.

♪I Want LoveLive Elton John · 2002 Party at the Palace, London

It plays in the scene where family members take turns singing a line each, revealing the distance between them.

  • The way each family member takes a turn continuing the same song shows that, though they live under one roof, they each carry a different heart.
  • The original flows plainly over a slow keyboard accompaniment, but the film expands it into a musical number, distributing each character's emotion in turn.
  • The lyrics' earnest longing is at odds with the characters' gestures, as they never actually meet each other's eyes — and that very disjunction explains what is wrong with this family.
Listen on YouTube ↗

III. Meeting Bernie Taupin

(meeting) Now a young man, he meets the lyricist Bernie Taupin through an introduction from a record label. The two had never written together before, but after exchanging lyrics by post, they become friends the moment they meet. (division of labor) Taupin would write the lyrics first and hand them over, and he would set them to music in a short span of time after reading them. The film re-enacts this creative process exactly, showing how a single page of lyrics becomes a song. (friendship) Their friendship is the axis that supports the entire film. It is portrayed as the one relationship that never changes behind the glittering stage, remaining a place to return to even at the crisis point later in the story. (growth) A period of poverty in their unknown years follows, as they lean on each other to build up songs one by one. A quiet ballad written during this time becomes the song that symbolizes their relationship for years to come.

♪Your SongStage Elton John · Taron Egerton (duet, 2019 Brighton)

It plays in the scene of his first meeting with Bernie Taupin and the budding of their friendship, later becoming the song that symbolizes their relationship.

  • The plain piano accompaniment and simple chord progression stand in contrast to the more elaborate numbers later on, signaling that this was the purest time for the two of them.
  • It is in fact one of the signature songs Elton John and Bernie Taupin wrote together in their early years, a song long beloved outside the film as well.
  • The brief return of this melody later in the film can be read as a device pointing to the original feeling left behind all the glamour.
Listen on YouTube ↗

IV. A night at the Troubadour

(arrival) The show at the Troubadour, a small club in Los Angeles, is portrayed as his American debut. It is the moment an unknown English pianist stands before an unfamiliar audience. (eruption) As the performance reaches its peak, the film leaves reality behind and crosses into fantasy. The scene of the audience and the performer rising together visually expresses that his life was changed irrevocably from that day on. (transformation) As he rises to stardom, he layers on flashy costumes and stage devices one by one. The increasingly exaggerated glasses and outfits show the widening distance between his real self and the figure on stage. (velocity) Success arrives quickly, but it is just as draining. From this chapter on, the songs are filled with ever faster rhythms and more elaborate arrangements, the sense of speed speaking for the character's anxiety in their place.

♪Crocodile RockLive Elton John · Madison Square Garden

It plays in the scene where, at the peak of the Troubadour performance, reality crosses into fantasy and the audience and performer rise together.

  • The song's buoyant rhythm and repeating refrain serve as a force lifting the audience onto the stage, overlapping with the staging in which the characters actually rise into the air.
  • The simple, retro rock and roll progression pays homage to the music of the 1950s, giving the impression that the stage's excitement crosses eras.
  • This scene is among the most talked-about moments in the film, with music and staging together amplifying the instant a single debut performance completely transforms a person's life.
Listen on YouTube ↗

V. The isolation of fame

(isolation) As the endless cycle of touring and recording continues, he grows increasingly alone. The contrast between the dazzling stage and the empty hotel room recurs again and again. (relationships) During this time he becomes entangled with his manager in business dealings and even begins a marriage, but rather than dwelling on the details, the film focuses on the fact that he can find the affection he truly wants nowhere. (mask) The gap between his glamorous public face and his private loneliness keeps widening. He goes on stage wrapped in loud costumes and glasses like a suit of armor, but there is nowhere he can take it off. (fracture) The songs of this period hide an exhausted heart beneath a bright, buoyant surface. The disjunction between the pleasure the lyrics and melody offer and the character's actual state begins to reveal itself to the audience.

♪Bennie and the JetsLive Elton John · 1980 Central Park

It is used as the song representing the period when the glittering glam rock costumes and exaggerated persona are completed.

  • The heavy, clap-like rhythm and the artificially processed crowd-noise effects render, in sound, the distance between real life and the figure on stage.
  • The way the song addresses a fictional band echoes the way the film's protagonist increasingly hides behind a character of his own making.
  • The short keyboard riff that repeats within the elaborate arrangement functions almost as a marker pointing to his stage persona during this period.
Listen on YouTube ↗
♪Rocket ManLive Elton John · 1972 Royal Festival Hall, London

A scene depicting the inner isolation of a figure growing ever more cut off amid fame, unfolding alongside an underwater fantasy image.

  • The astronaut image that gives the film its title signifies an isolation far removed from earth, and the film visualizes this by transforming it into an image of sinking underwater.
  • The slowly unfolding synthesizer sound and understated melody contrast with the flashy numbers that came before, signaling the first moment the character stops to look back at himself.
  • This song is widely known as one of Elton John's signature works, and since the film's title is drawn from it, it serves as a symbol summarizing the entire story.
Listen on YouTube ↗

VI. Collapse and confession

(collapse) As the time spent dependent on drugs and alcohol grows longer, his life slips out of control. The vitality onstage and the exhaustion backstage repeat within the same day. (device) In this section the film uses its boldest fantasy staging. A scene in which a character throws himself into a swimming pool reads less as a reenactment of an actual event than as a symbol visualizing inner desperation. (confession) At the peak of the crisis, he reveals himself without concealment before those closest to him. The film, which began with flamboyant stage language, shifts here into its quietest, slowest song. (transition) Past the climax, he asks for help for the first time. Returning to the rehab scene, the film answers the question posed at the opening: why he was in that room.

♪Goodbye Yellow Brick RoadLive Elton John · 2022 Dodger Stadium

It plays at the moment when the desire to escape a glamorous life bursts out, coinciding with the period when the crisis reaches its peak.

  • The structure, beginning as a warm ballad and gradually swelling into a powerful chorus, closely follows the character's mind, holding both resignation and resistance at once.
  • The image of the yellow brick road carries the wish to leave a predetermined path, and in this scene the character questions, for the first time, the way of life he has been given.
  • The original song's arrangement, blending acoustic guitar and piano, is used in the film in a form fairly close to the original, standing out plainly among the other flashy numbers.
Listen on YouTube ↗
♪Don't Let the Sun Go Down on MeStage Elton John · Lady Gaga (surprise performance on Sunset Strip)

It plays at the point where the crisis peaks and shifts into the quietest, slowest voice, capturing the moment just before he asks for help.

  • The chorus, rising into a high register, sounds like a desperate plea, and the spare accompaniment, stripped of any flashy arrangement, lays bare the character's collapsed state.
  • The title's wish that the sun not go down reads as the desperation to hold on before a relationship ends, and in this scene it expands into a wish to hold on to life itself.
  • Since its release, this song has become widely known through cover recordings by many singers, and in the film it is regarded as the moment that most earnestly captures the original's emotion.
Listen on YouTube ↗

VII. Standing again

(recovery) After completing rehab, he is depicted not in stage costume but in ordinary clothes. This stripped-down appearance signals that he has begun to accept himself as he is. (reunion) His relationship with his longtime collaborator Bernie Taupin remains unchanged. The film suggests that what broke him down and what lifted him back up were found in the same place — people and music. (closing) The final scene overlays actual archival footage with the actor's performance, dissolving the boundary between fiction and real life. It reaffirms that the fantasy we have watched all along ultimately began in one person's real life. (color) The song that plays over the ending closes the film in its brightest colors. The music speaks for what remains after passing through both collapse and recovery: not glamour, but quiet conviction.

♪I'm Still StandingStage Elton John · 2019 Cannes Film Festival

It is used as the song that closes the film, capturing the lightness felt after completing recovery.

  • The bright major-key rhythm and powerful chorus stand in stark contrast to the heavy mood at the film's opening.
  • The repeated resolve in the lyrics sounds like the voice of someone who fell and rose again, and the song is placed as a counterpart to the earlier scenes of crisis.
  • This song's music video and stage costumes are also well known as representative of his flamboyant image in the 1980s, making it a point where the film's ending and his actual career overlap.
Listen on YouTube ↗

Lesser-known stories

This film was in development for a long time, and several actors passed through the project. Another actor was once attached as the lead and went through preparations, but production failed to move forward for a long time, and the project was eventually reassembled, arriving at its current cast. Taron Egerton, on set, sang live in every take rather than lip-syncing to prerecorded tracks. Unlike most film musical numbers, which are made by matching an actor's lip movements to studio pre-recordings, this approach — known to be a rarely attempted choice — allowed the actor's breath and emotional fluctuations to come through directly. Bernie Taupin has revealed in numerous interviews that, even now, he does not play an instrument and writes only the lyrics first, handing them over without knowing the song's melody in advance. It is also considered unusual that, despite working together for more than half a century, the two have spent relatively little time composing face to face. The order of the songs used in the film does not match their actual release years in several cases. The production team did not hide this, stating publicly that they prioritized the story's emotional flow over strict factual accuracy.

Glossary notes 📚🔎

Jukebox musical

(meaning) A jukebox refers to a machine that plays a chosen song when a coin is inserted. This name was given because the show gathers existing hit songs as if selecting them from a jukebox and layers them onto a story. (in film and musical theater) This refers to a musical that, instead of writing new songs, gathers already-released, famous songs and arranges them to fit the flow of the drama. It is similar to stringing together several popular songs everyone knows to make a single performance at a school festival.

Diegetic music (music within the story)

(meaning) Diegetic comes from a word meaning the story world, and refers to sound the characters can actually hear. (in film and musical theater) Music that the characters themselves can hear — as when a character sings onstage or turns on a radio — is called diegetic music. Conversely, background music that only the audience hears, and the characters cannot, is called non-diegetic music. A song actually played in a classroom is diegetic, while a song playing over a film's end credits is non-diegetic.

Reprise

(meaning) A word from French, carrying the sense of taking up again or repeating. (in film and musical theater) This refers to a melody heard earlier in the story reappearing later with new lyrics or in a new situation. It is similar to singing a round you first learned as a child again later with a different feeling — the same tune can feel entirely different when the situation has changed.

Arrangement

(in film and musical theater) This is the work of making the same melody sound like an entirely different song depending on which instruments, tempo, and mood are used to perform it — turning what was once a quiet ballad into an upbeat rock number, for instance. It is similar to how the same story can feel different depending on who tells it and how.

Bridge

(meaning) The English word means exactly bridge, named for the way it connects one part of a song to another. (in film and musical theater) This refers to the short section that shifts the mood before repeating the chorus, carrying the song into its next climax. It plays a role similar to briefly digressing while telling a story before returning to the main point.

Montage number

(in film and musical theater) This refers to a song used to string together several scenes in a short span of time, compressing a long passage of time. It is similar to summarizing what happened during a vacation with just a few photographs.